Emile Bernard - ορισμός. Τι είναι το Emile Bernard
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Τι (ποιος) είναι Emile Bernard - ορισμός

FRENCH PAINTER (1868-1941)
Emile Bernard; Émile Bernard (painter)
  • Synthetist Group]], at Café des Arts, known as [[The Volpini Exhibition, 1889]].
  • ''Émile Bernard''<br>by [[Henri de Toulouse-Lautrec]] (1886)}}

Émile Bernard (chef)         
FRENCH CHEF
Draft:Émile Bernard (chef); Émile Bernard (Chef)
Emile Bernard (5 April 1826 – 31 August 1897) was a French chef best known as the author of a series of recipe books, La Cuisine Classique, which became classics of French cuisine.
Émile Bernard (composer)         
FRENCH COMPOSER AND ORGANIST (1843-1902)
Emile Bernard (composer); Jean Émile Bernard; Jean Emile Bernard; Jean Émile Auguste Bernard
Jean Émile Auguste Bernard (28 November 1843 – 11 September 1902) was a French Romantic composer and organist.
Émile Bernard chronology         
FRENCH PAINTER
Emile Bernard chronology
This is an Émile Bernard chronology of the life and career of French artist, art critic and writer Émile Bernard, based on documents hitherto published - however, most of the relevant sources remain unpublished. To a certain extent, these gaps can be filled by information derived from letters and biographies of e.

Βικιπαίδεια

Émile Bernard

Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.

Παραδείγματα από το σώμα κειμένου για Emile Bernard
1. This is complicated by the fact that while many of his best drawings were spontaneously done in front of the motif (landscape, park, mountain, courtyard of the asylum), others, no less beautiful, were second versions and copies made of earlier drawings so that he could show his painter friends (Gauguin, Emile Bernard or the obscure Australian expatriate John Russell) what he had been up to.